Prof Suzanne Aigrain

Abstract:

The HARPS-N solar telescope has been observing the Sun every possible day since the summer of 2015. We have recently released 10 years of these data, which are available online. The goal of this paper is to present the different optimisations made to the ESPRESSO data reduction software used to extract the published HARPS-N solar spectra, describe the data curation, and perform some analyses that demonstrate the extreme radial velocity (RV) precision of those data. By analysing all of the HARPS-N wavelength solutions over 13 years, we brought to light instrumental systematics at the 1 level. We mitigated those systematics by curating the thorium line list used to derive the wavelength solution and applying a correction to the drift of thorium lines induced by the aging of thorium-argon hollow cathode lamps. After optimisation, we demonstrated a peak-to-peak precision on the HARPS-N wavelength solution better than 0.75 or well-understood instrumental systematics. Finally, we corrected the curated data for spurious sub-meter-per-second RV effects caused by erroneous instrumental drift measurements and by changes in the spectral blaze function over time. over 13 years. We then carefully curated the decade of HARPS-N re-reduced solar observations by rejecting 30% of the data affected either by clouds, bad atmospheric conditions After curation and correction, a total of 109,466 HARPS-N solar spectra and respective RVs over a decade were made available. The median photon-noise precision of the RV data is 0.28 and on daily timescales, the median RV rms is 0.49 which is similar to the level imposed by stellar granulation signals. On 10 year timescales, the large RV rms of 2.95 results from the RV signature of the Sun's magnetic cycle. Through modelling of this long-term effect using the Bremen composite magnesium II activity index, we demonstrate a long-term RV precision of 0.41 We also analysed contemporaneous HARPS-N and NEID solar RVs and found the data from both instruments to be of similar quality and precision. However, an analysis of the RV difference between these two RV datasets over the three available years gave a surprisingly large RV rms of 1.3 This variation is dominated by an unexplained trend that could be caused by a different sensitivity to stellar activity of the two datasets. Once this trend was modelled, the overall RV rms for three years reached 0.79 and the RV rms during the low-activity phase decreased to 0.6 compatible with what is expected from supergranulation. This decade of high-cadence HARPS-N solar observations with short- and long-term precision below one represents a crucial dataset in the pursuit of further understanding the stellar activity signals in solar-type stars and advancing other science cases requiring such extreme precision.

Abstract:

We present a method for computing upper and lower limits to the expected duration of planetary transits given a range for the parameters of the host star, while explicitly accounting for non-zero impact parameter and eccentricity, and placing a basic constraint on the orbital stability through a minimum planet–star separation at periastron. We find that, especially at longer periods, the transit can be considerably shorter or longer than previous searches have assumed. No transits are known with such short or long transit durations, but it is unclear whether this is a real feature of the planet population or a combination of transit probability, observational bias, and detection bias.

Abstract:

In the past fifteen years, file sharing of digital cultural works between individuals has been at the center of a number of debates on the future of culture itself. To some, sharing constitutes piracy, to be fought against and eradicated. Others see it as unavoidable, and table proposals to compensate for its harmful effects. Meanwhile, little progress has been made towards addressing the real challenges facing culture in a digital world. Sharing starts from a radically different viewpoint, namely that the non-market sharing of digital works is both legitimate and useful. It supports this premise with empirical research, demonstrating that non-market sharing leads to more diversity in the attention given to various works. Taking stock of what we have learnt about the cultural economy in recent years, Sharing sets out the conditions necessary for valuable cultural functions to remain sustainable in this context.